Fedyuk, Olena. 2012. Images of Transnational Motherhood: The Role of Photographs in Measuring Time and Maintaining Connections between Ukraine and Italy. Journal of Ethnic and Migration Studies. 38(2):279-300. The author uses pictures exchanged between Ukrainian women migrants in Italy and their families back home as “primary media,” in an “attempt to break the analytical 'unit' … Continue reading Fedyuk, Olena. 2012. Images of Transnational Motherhood
Tadiar, Neferti. 2009. Things Fall Away: Philippine Historical Experience and the Makings of Globalization. Durham : Duke University Press. Tadiar “develops a theory and method of reading experience as living labor,” which she hopes will aid the “collective efforts to come to a new understanding of politics in the contemporary global moment” (4). Living labor … Continue reading Annotation: Tadiar, Neferti. 2009. Things Fall Away: Philippine Historical Experience and the Makings of Globalization.
Naficy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, N.J.: Princeton University Press. “Within every transnational culture beats the hearts of multiple displaced but situated cultures interacting with one another” (6). The author calls accented cinema the diasporic and exilic films which can be contrasted with dominant Western cinema. Accented films are “interstitial” … Continue reading Annotation: Naficy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking.
Schneider, Arnd. 2008. Three Modes of Experimentation with Art and Ethnography. Journal of the Royal Anthropological Institute, 14(1): 171–194. The article discusses three film projects which combine art and ethnographic methods: Michael Oppitz's work in the Himalayas called Shamans of the Blind Country (1978-81), which uses French structuralist forms of commentary and subtitles; Juan Downey's … Continue reading Annotation: Schneider, Arnd. 2008. Three Modes of Experimentation with Art and Ethnography
Gamburd, Michele Ruth. 2000. Kitchen Spoon's Handle: Transnationalism and Sri Lanka's Migrant Housemaids. Ithaca, N.Y. : Cornell University Press. The book presents a longitudinal ethnographic study of Naeaegama, a rural village of about 1,000 residents in southern Sri Lanka. Outbound migration from the village to the Middle East began in the late 1960s, and over … Continue reading Annotation: Gamburd, Michele Ruth. 2000. Kitchen Spoon’s Handle
Irving, Andrew. 2007. Ethnography, Art, and Death. Journal of the Royal Anthropological Institute (N.S.), 13:185-208. Using photography and performance methods, Irving “stages” encounters with the residents of Kampala, Uganda, with the goal of mapping the city through their emotions and memories. In Irving's fieldwork performance called Life as it is lived (2000), he interviews an … Continue reading Annotation: Irving, Andrew. 2007. Ethnography, Art, and Death
MacDougall, David. 2006. The Corporeal Image: Film, Ethnography, and the Senses. Princeton, NJ: Princeton University Press. MacDougall writes that meaning is created by the whole body, and contests the idea that thought contains only words. He proposes to “reexamine the relation between seeing, thinking, and knowing, and the complex nature of thought itself” (2). Film … Continue reading Annotation: MacDougall, David. 2006. The Corporeal Image
Pink, Sarah. 2011. Drawing with Our Feet (and Trampling the Maps): Walking with Video as a Graphic Anthropology. In, Redrawing Anthropology: Materials, Movements, Lines. Tim Ingold (ed). Pp. 143-156. England: Ashgate. Borrowing from Tim Ingold's (2010) observations about “wayfaring” as itself a process of thinking and knowing, David MacDougall's idea of the corporeal image in … Continue reading Annotation: Pink, Sarah. 2011. Drawing with Our Feet.